2025 · Food / agency
Pastry that had to survive a page
Stills and a 20s loop from one window in Salzburg. The glaze had to read on a magazine page and in a silent loop.
Read the caseSalzburg
Alley overcast first. We recce Getreidegasse at the hour the stone actually reads, then stills and a short film share that white — print, site, and a thirty-second cut from the same afternoon, not a sunset stacked later.
Fedstar produces commercial photography and motion from Salzburg. Stills and film share a recce so a lookbook does not argue with a cut, and a campaign does not arrive as two vendors in public.
Start a projectThe rooms on Getreidegasse hold tabletop, a compact cyclorama, and a colour desk. Clients review tethered stills and a calibrated picture in one visit. Product and grade are not two appointments.
Location days stay on the stone we recce. Bounce and a quiet key match the alley; we do not gel a brochure sunset onto a grey street. If the weather turns we wait or we rewrite the shot.
Agencies come with a media plan. We name masters for print, 1:1 and 9:16, keep a working project for the revision window, and hand an archive another team can open a year later.
2025 · Food / agency
Stills and a 20s loop from one window in Salzburg. The glaze had to read on a magazine page and in a silent loop.
Read the case
2024 · Hospitality
Interiors and a two-minute film at recce hour. Stone already had a white; food and rooms share one balance.
Read the case
2026 · Fashion
Lookbook and a quiet walk. Lifestyle stayed live — the stills LUT was the show LUT.
Read the caseCampaign stills, product, and brand portraiture with controlled light.
Narrative and branded films from treatment through principal photography.
Show LUTs, shot matching, and finishing that serve the brand palette.
Edit, sound, titles, and delivery packages for every platform.
Product and environment renders that composite with live action.
Type, diagrams, and brand systems in motion for spots and social.
Send a brief, dates, and whether you need stills, a film, or both. Include where the work has to live — print, site, film, social — and we reply with a crew plan.
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